This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment I have noticed in all pianos, even in the finest grands, that in some = bichords in the bass section the unwrapped end of one string of the = unison varies in lentgh sometimes significally from the other. I'm aware = that these unwrapped ends influence inharmonicity (as W.Trow Goddard = proposes in his handbook on the strings of the piano) and I suspect = that these varations occur in order to produce a beatless unison. = However, is there any method with predictable results for a tuner to = match a given set of bass bichords or trichords and how can this be = applied in the field? I'm going to restring a S&S D and I fear that in = the end I'll come up with a bass section full of "dirty" unisons. P.S: I'm new to the list and I don't know whether there is a fee for = sending and receiving the mails. If someone would be kind enough to = inform me... Antonis Karavelis Athens-Greece. ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/b3/90/3e/ba/attachment.htm ---------------------- multipart/alternative attachment--
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