Terry, it might help to look at a piano as a high tension instrument rather than a guitar which is a low tension instrument. When you bring a piano wire up to pitch it does kind of sound like a guitar when its several notes flat, but notice how it comes alive as it approaches the proper pitch. The high tension is what allows the piano to produce such a high number of partials when struck at the proper distance from one end. Notice that a guitar sounds different when picked at different distances from the bridge. The piano is unique in that it is the only stringed instrument (that I can think of) with such awesome tension. Maybe that is just one more piece of the puzzle. Carl Meyer Assoc. PTG Santa Clara, California cmpiano@attbi.com ----- Original Message ----- From: "Farrell" <mfarrel2@tampabay.rr.com> To: <pianotech@ptg.org> Sent: Friday, August 02, 2002 10:54 AM Subject: Re: Musical Soundwaves > Interesting responses. Fairly consistent. Thanks to all. I'm surprised its that simple. > > Oboe. Oboe. Oboe. OK, now I know how to spell it (never did hang around orchestras much). > > One further question before I go get a book on the topic. What part of the piano is the greatest influence on its sound? More specifically, to what degree is the soundboard responsible for the piano-like sound pianos make. Even bad pianos with even worse soundboards still sound quite a bit like a piano, maybe a bad piano, but still quite a bit like a piano (you can easily tell it is not a flute). Is it mostly the hammers and strings, or perhaps more likely, it is the hammers, strings, soundboard, rim, etc. - everything combined. This may seem like a dumb question, but one response indicated that it seemed that a saxophone (thanks spell checker) sound was largely caused by the mouthpiece rather than the rest of the horn. Is there any chance the soundboard may well play a big role in helping us hear the piano wires (by acting as a transducer), but not actually have a whole lot to do with the "piano sound". > > I'll try and stop asking questions............. if someone can answer the above! :-) > > Terry Farrell > > ----- Original Message ----- > From: "David Smith" <dsmith941@hotmail.com> > To: <pianotech@ptg.org> > Sent: Friday, August 02, 2002 9:59 AM > Subject: Re: Musical Soundwaves > > > > Terry, although I am a rookie's rookie as a piano technician, I do have > > education and experience in acoustics and engineering, so here is my shot at > > your querry. > > > > When different instruments or voices produce the same fundamental tone, they > > all differ in many other ways which our ears interpret for us. For example, > > differences in attack (beginning of the sound), release ending of the > > sound), frequency content (overtones, etc included in the sound in different > > proportions), degree of inharmonicity, vibrato, phasing as it reaches the > > two ears, and probably on and on. > > > > Having spent many years workng with frequency and fourier analysers in a > > previous life, I noticed that many things can sound indistinguishable from > > each other, if you filter out the attack and just listen at a filtered > > fundamental frequency. It is all the other "small" things that make all the > > difference. > > > > Hope this helps without offending due to my simplistic thoughts. Somewhere > > in my moldering boxes of books is a rigorous explanation which I would be > > happy to dig out if no one else fills that need. > > > > Dave Smith > > > > > > >From: "Farrell" <mfarrel2@tampabay.rr.com> > > >Reply-To: pianotech@ptg.org > > >To: <pianotech@ptg.org> > > >Subject: Musical Soundwaves > > >Date: Fri, 2 Aug 2002 09:10:24 -0400 > > > > > >Why does a flute sound like a flute? Why does an obo sound like an obo? Why > > >does a guitar sound like a guitar? And last, but certainly not least, why > > >does a piano sound like a piano? > > > > > >Does anyone have a simplistic explanation for what is the cause of unique > > >sounds/tones among various instruments? If you play A4 at a pitch of 440 Hz > > >on any instument, you will hear the pitch of 400 Hz. But they will all > > >sound different. So I guess they all do something different to the > > >soundwave that reaches your ear. What is that difference? How does a > > >speaker reproduce these differences of they only move in and out? > > > > > >Thanks for any thoughts. > > > > > >Terry Farrell > > > > > > > > > > > > > > > > > > > _________________________________________________________________ > > Send and receive Hotmail on your mobile device: http://mobile.msn.com > > > > > >
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