Do you saute the baloney first? Is it a cream sauce or tomatoee...? Onions?...;-] My first ETD was a Yamaha PT4. Big, heavy, AC cord...nice cathode ray screen with easy to read green blocks moving left or right. I used it to approximate a temperment, making changes as necessary (often) and approximating the stretch up and down with adjustments with my ear...I tuned for many concert artists with that machine/ear and had no problems...what this says to me, is you can get away with a lot more than you'd think! The SAT II & III have done me well. I wouldn't mind getting into the PocketPC/RCT at some point though... David I. ----- Original message ----------------------------------------> From: "Alan R. Barnard" <mathstar@salemnet.com> To: <pianotech@ptg.org> Received: Sun, 18 Aug 2002 11:48:41 -0500 Subject: Re: E.T.D. >At the risk of repeating myself: >Baloney Sauce. >I bought the Yamaha (used on eBay) when I first got into the biz because it >was all I could afford. >Here is the secret for getting pretty nice tunings with the PT100: Learn to >tune the bass by ear right off. <<You are right about the bass, Devlon>> The >Yamaha won't stretch most pianos enough going down. If you set the scale to >the best approximation of the Yamaha piano sizes, however, you WILL get a >decent temperament and treble on most pianos. The SAT would be much more >flexible and better, all-around. But if all you can afford is the PT-100 go >forth and tune--and use it to help you tune without it! >BTW I tune for three conservatory trained, outstanding pianists. Their >pianos are: Steinway S, Samick, and Chickering grands. All are very pleased >with their tunings and, since I had to start this way, I tune them all with >the Yamaha. BUT, I tune down from the temperament by ear, always, and I >check my temperament by ear, always (4ths, 5ths, running 3rds and 6ths, >etc.), I test up and down with 3rd-10th-17ths, always, and usually the 5ths. >Only rarely do I change a temperament or treble note from the ETD and when I >do, it is usually over a break or some other point where "somthin' ain't >right" so inharmonicity is compensated for. This has been my $0.02 >Alan R. Barnard >Salem, MO >----- Original Message ----- >From: <BSHARPTUNE@AOL.COM> >To: <pianotech@ptg.org> >Sent: Sunday, August 18, 2002 8:01 AM >Subject: Re: E.T.D. >> Brian, I have owned a PT-100 for a long time. I bought one before I >really >> understood inharmonicity and how to tune a piano. The PT-100 is almost >> useless as an ETD. It has pitch curves that only match 6 Yamaha pianos >which >> I think are all slightly narrow on the bass side. It's only use now is to >> chip pianos. >> >> Devlon
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