At 08:02 PM 8/19/2002 -0400, Tom wrote: >As far as the single mute technique of tuning is concerned, it does yield >better results. It also forces you to be much more critical with your >unisons when they become focal points throughout the temperament. This is getting intriguing. Ted Sambell talked about taking one month per year to tune without the strip, as a way remember how to keep unisons really tight and stable, but I've never tried it in a methodical way. I feel that the strip gives good service in pitch raises, when multiple passes are involved. I only strip the middle section, and as I rob felt from the end, the strip gets shorter and shorter, till it's only about an octave and a half long. I thought this was a bad thing, but maybe not. Thanks for the good posts, Tom and David. Susan
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