>but I do the aftertouch feel >by tactile sense,which will vary the dip slighty to allow for the >descrepencies in action accuracy. Yes. Long live the Little Red Book. I mean Schoolhouse. I mean LaRoy Edwards. I do basically every regulation point by a combination of tactile sense, aural sense, and gut feeling. It's truly is amazing how much every little regulation point subtly changes the touch of the piano. Every single one is like an opportunity to get it that much more right, to synergize the "spielart " of the instrument, and it's a tremendous challenge to me. Then, a fine tuning, and fine voicing, certainly give the psychoacoustic illusion of touch shift or change. Wow. This is a deep craft. I don't know about you, but I continuously fail upwards, learning more and more with every piano I touch. David Andersen Malibu, CA
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