4 pedals

Keith Roberts kpiano@goldrush.com
Thu, 29 Aug 2002 17:13:14 -0700


Tom, didn't you read Dale Erwin's explanation? I hung all the rinky tink
straps on the  upper bar. The practice bar seemed odd but it must have
stopped a lot of strangulations from the practice of Hanon's exercises.
Worked just fine. I know he wouldn't mind if you called him direct. He is
very knowledgeable about odd makes and models (he's been doing this a long
time).
Keith R
kpiano@goldrush.com
209 728 2163
----- Original Message -----
From: "Tom Dickson" <td_tuner@hotmail.com>
To: <pianotech@ptg.org>
Sent: Thursday, August 29, 2002 3:11 PM
Subject: Re: 4 pedals


> Hi, John,
>
>    I'm sorry my description and your view did not click.  There is no way
> that this is a practise mute - I'm all too familiar with them, trimmed or
> not.
>
>    This piece of wood is on a bit of an eccentric so that when the pedal
is
> pushed down, the whole piece moves to the left and then forward towards
the
> hammer shanks, just below the hammers ( maybe an inch or so).  All along
the
> edge of the wood are 3 deep felt layers about 3/8 inch wide.  Each layer
> corresponds to the length of the appropriate set of hammers.  So, I knew
> that the hammer shanks had to hit the felt.  The question was are the
> hammers supposed to then hit the strings or not.
>
>    Don Rose discussed this a little with me, just today, and I agree with
> him that given age and wear factors, it might be best to not regulate this
> to do either of the possible functions as the impact at the shank might be
> detrimental to several parts of the hammer assembly.
>
>    Anyway, it sounds like you have a clearer picture of the mechanism
thanks
> to Craig.  Sorry my description didn't do the trick!
>
>    We'll talk again.
>
> Sincerely,
> Tom Dickson
>
>
>
> >From: "John Ross" <jrpiano@win.eastlink.ca>
> >Reply-To: pianotech@ptg.org
> >To: <pianotech@ptg.org>
> >Subject: Re: 4 pedals
> >Date: Thu, 29 Aug 2002 16:23:17 -0300
> >
> >Great learning tool, this list.
> >I had never seen the mechanism, as yet. When I do, I will, now know
> >how it works.
> >Regards,
> >John M. Ross
> >Windsor, Nova Scotia.
> >jrpiano@win.eastlink.ca
> >----- Original Message -----
> >From: "Craig Glasser" <cglasser@hotmail.com>
> >To: <pianotech@ptg.org>
> >Sent: Thursday, August 29, 2002 11:14 AM
> >Subject: Re: 4 pedals
> >
> >
> >| I have a 1895 Geo. P. Bent "Crown" upright.  On this piano the
> >fourth pedal
> >| is called a "practice clavier".  It is intended to allow one to
> >practice
> >| playing and not make much noise.  So, on mine, the practice clavier
> >prevents
> >| the hammers from striking the keys.
> >|
> >| ----- Original Message -----
> >| From: "John Ross" <jrpiano@win.eastlink.ca>
> >| To: <pianotech@ptg.org>
> >| Sent: Thursday, August 29, 2002 4:08 AM
> >| Subject: Re: 4 pedals
> >|
> >|
> >| > Hi Tom,
> >| > I think it is a practise mute, that the felt overhang has been
> >removed
> >| > from. The reason the hammer shanks hit it, is because the hammers
> >are
> >| > worn, or have been carded, changing their length.
> >| > Regards,
> >| > John M. Ross
> >| > Windsor, Nova Scotia.
> >| > jrpiano@win.eastlink.ca
> >| > ----- Original Message -----
> >| > From: "Tom Dickson" <td_tuner@hotmail.com>
> >| > To: <pianotech@ptg.org>
> >| > Sent: Wednesday, August 28, 2002 9:30 PM
> >| > Subject: 4 pedals
> >| >
> >| >
> >| > | Hi, Folks,
> >| > |
> >| > |    I floated this "balloon" earlier this week, but I still have
> >not
> >| > gotten a
> >| > | totally satisfactory answer.
> >| > |
> >| > |    A 1905 Bell piano has 4 pedals.  John told me about the third
> >| > one - a
> >| > | "rinky-dink" effect for the sound (leather stips go between the
> >| > strings and
> >| > | the hammer).  Very much appreciated!
> >| > |
> >| > |    The 4th pedal moves a stick that is below the hammers and
> >| > apparently the
> >| > | shanks hit ( it has thick felt that is in the lengths to affect
> >all
> >| > shanks).
> >| > |   My question is:  Should this be regulated so that the hammer
> >| > impact is
> >| > | reduced - therefore the volume is much lower, OR should this be
> >| > regulated so
> >| > | that the hammers never hit the strings - such that the pianist
> >can
> >| > practice
> >| > | fingering, but make no sound?
> >| > |
> >| > |    I would like to be sure that my reguation of this device is
> >| > correct.
> >| > |
> >| > |    Any help would be appreciated!
> >| > |
> >| > | Sincerely,
> >| > | Tom Dickson,
> >| > | Regina, SK, Canada
> >| > |
> >| > |
> >_________________________________________________________________
> >| > | Send and receive Hotmail on your mobile device:
> >| > http://mobile.msn.com
> >| > |
> >| > |
> >| >
> >| >
> >| >
> >|
> >|
>
>
>
>
> _________________________________________________________________
> Chat with friends online, try MSN Messenger: http://messenger.msn.com
>
>




This PTG archive page provided courtesy of Moy Piano Service, LLC