Wim/Pitch raise experiment

David M. Porritt dm.porritt@verizon.net
Thu, 10 Jan 2002 06:24:20 -0600


Greg:

What do you do if the customer (you do warn them ahead of time what
_could_ happen, don't you) won't assume that risk?  Do you raise the
pitch and if a string breaks, replace it free?

dave

*********** REPLY SEPARATOR  ***********

On 1/9/02 at 5:29 PM Greg Newell wrote:

>Dave, Wim and list,
>    You may wish to start lubricating the strings with Protek CPL
before
>tuning these old beasts. I'm with Joe on this one. What good is a
piano
>that's perpetually flat in pitch? Isn't ear training just as
important as
>finger training? I raise pitch on these old beasties all the time.
They
>have all come through just fine without so much as a whimper. I'm
sure
>your also aware of how much livelier they sound when up to the pitch
they
>were designed for. Never fails to get a "WOW" from the customer.
>    my two cents.
>
>Greg
>
>"David M. Porritt" wrote:
>
>> Joe:
>>
>> What about the customer who doesn't want to take the chance on
>> breaking strings.  I did a Cable spinet last week that was down,
>> already had 3 broken strings and the customer (rightfully) didn't
>> want to spend any more on it than necessary.  Should I tell her to
>> forget about her recently started piano lessons and trash the
piano?
>> Or offer to bring it up, break some strings and fix them at my
>> expense?
>>
>> Some of our dogmatic rules ocaisionally have to get modified out
in
>> the "real world".
>>
>> dave
>>
>> *********** REPLY SEPARATOR  ***********
>>
>> On 1/9/02 at 11:08 AM Joseph Garrett wrote:
>>
>> >Wim,
>> >You are such a woose! "Why chance it"?!! to get the piano at
pitch
>> and have
>> >the tuning be more effective and relevant to making MUSIC! I
>> maintain, if
>> >the piano, (the whole piano), cannot be tuned to standard pitch
or
>> it's
>> >designed pitch, then it needs, either to be repaired or trashed.
>> It's just
>> >that simple. Any tuner that, without total knowledge of the
>> customers
>> >needs,
>> >(current and future), tunes a piano a 1/2 tone flat, usually
because
>> he
>> >doesn't want a string to break, is not a good tech IMO. This is
>> usually
>> >because that tooner does not carry any string stock, etc. and
>> besides,
>> >usually couldn't fix a hang nail w/o drawing major blood.
>> >Just MHO.
>> >Joe Garrett, RPT
>>
>>
>> _____________________________
>> David M. Porritt
>> dporritt@mail.smu.edu
>> Meadows School of the Arts
>> Southern Methodist University
>> Dallas, TX 75275
>> _____________________________
>
>--
>Greg Newell
>mailto:gnewell@ameritech.net


_____________________________
David M. Porritt
dporritt@mail.smu.edu
Meadows School of the Arts
Southern Methodist University
Dallas, TX 75275
_____________________________



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