Charles Neuman wrote: > Richard brought up some questions about modes of the soundboard and many > other related topics. Has someone brought up the "five lectures" yet? I > don't think this answers all of your questions, but I ran across this, > which is part of the "five lectures": > > http://www.speech.kth.se/music/5_lectures/conklin/howdoes.html > > There are some other interesting things in these lectures, too, related to > this discussion. > > Charles Thanks Charles. I refer to these quite a bit and I am glad to see you are aware of them. I found for myself that it took me 3 or 4 readings before I started sorting out fairly clearly where each of the articles were really going. We have brought up this discussion of modal analysis a few times, and talked briefly about these in relation to sound board impedance questions, but I don't think we have really gotten into if and how they play an active roll in producing sound. Some of the Violin stuff I have read so far seems to point in a direction of these modes being some kind of ... what... "basis resonance framework" which the string resonances are sort of superimposed on... ?Perhaps that's clumsily worded. But like I say I have to read a few times through before I think I am sure of what's being said in these kinds of articles. Sure... a good understanding of the 5 lectures should help anyone interested in this. -- Richard Brekne RPT, N.P.T.F. Bergen, Norway mailto:rbrekne@broadpark.no http://home.broadpark.no/~rbrekne/ricmain.html
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