---------------------- multipart/alternative attachment Thanks Del. I was still talking about edge gluing. I would not advocate joining two pieces end to end in a soundboard situation. Never crossed my mind. I was thinking of a stronger joint, more surface area between the boards. I guess I should abandon the extra strength idea from what you write here. If butt glue joints are among the strongest you can make then perhaps I should stick with these. Has anyone ever tried gluing up 2 boards first, then adding one at a time until the desired panel size is achieved? I know there it is added time involved but it does allow you to concentrate on one glue joint at a time. The jig I usually use for gluing up panels is supposed to add pressure from the top and bottom as well as the sides. I have had less than stellar success with this jig. I'm thinking of doing one joint at a time to give me more control over the overall outcome without the necessity of a BFS (Big Fine Sander). Can anyone suggest a better approach or a way I could perhaps tune this jig to more usability? Delwin D Fandrich wrote: > ----- Original Message ----- > From:Greg Newell > To: pianotech@ptg.org > Sent: January 14, 2002 2:50 PM > Subject: Re: my own Soundboard > Oh Del, do elucidate before I mercilessly butcher some poor > unsuspecting tree. ;-) Seriously, I don't want to waste > wood. What will happen with a finger joint in Sitka. BTW > where can I get some Sitka? > > Greg > > If you're considering fingerjoints to butt two pieces of the stuff > together the right type of finger joint will work. But I assume you're > talking about edge gluing here. > Sitka spruce is pretty nasty stuff to machine cleanly when you get > down to small thicknesses and shapes. With any edge shape as extreme > as a fingerjoint of normal slope would result in the wood peeling, > stripping out, compressing, breaking off, and otherwise generally > self-destructing. > And jointing of this type is also unnecessary. The flat edge gluing > (assuming properly prepared surfaces) of vertical grain boards is > about as strong a joint as you're going to get. Using any reasonable > adhesive the flat face-to-face joint is going to be stronger than the > wood itself. So, any shape you use is going to be there for other > reasons. In this case it is for board alignment. These are pretty long > boards to work with and we're trying to edge-glue a fairly large panel > here. The joint shape--of whatever type--is there only to aid us in > aligning the boards so that we can use thinner stock at the time of > lay-up leaving us with less to thickness plane and/or sand away. > > The biggest problem with any joint shape is that when we thin out the > edges (assuming this is done in some area, usually around the bass end > of the board) and cut into the joint shape the glueline takes a twist. > If the edge shape is abrupt this can be some unsightly. > > Del -- Greg Newell mailto:gnewell@ameritech.net ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/f6/64/47/f8/attachment.htm ---------------------- multipart/alternative attachment--
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