>Ed wrote: >> there should be some classes restricted to "RPT-only". > >Alright, I'll bite... > >I see the point about wanting higher level classes, but I don't think >restricting to RPT's would solve that problem. What about less experienced >RPT's asking beginner's questions? It could happen. > >I think the issue is in how the class is presented. If the instructor >stops for every question, then the level will get brought down. I think >THAT'S where the saying "no" should happen. Not at the door to the class. > >I attended Jim Coleman's "Advanced Aural Tuning", one of only seven >courses in Chicago marked "Advanced". And it was. Much of it went by me, >but it was wonderful to see one of the greats doing his stuff. And there >were plenty of little details I did catch that I can use right now. The >point is that Jim didn't need to restrict his class to RPT's to keep it on >track. He just kept the class at a pretty high level. I'm sure other >Associates like me were there absorbing as much as possible, and not >bringing down the level of the class. > >Charles Neuman Hiya kids, hiya, hiya.......... I just subscribed to this Chat, and what to my wondering eyes did appear but 200 emails (!!!)---but no reindeer. So....I've looked at a portion of the Archives, and I have a question. Why is there so little discussion about tuning, which is for me, the most fun part of the work, and the vast majority of what I do on a daily basis? Tuning is such an amazingly deep craft; I'd love to get other high-level professionals' feedback on their systems, stretches, unison secrets and protocols----all that stuff....and I'm thinking about offering a class called "the Pleasure of Aural Tuning: using the body as a feedback loop..." Looking forward to chatting....... David Andersen Malibu, CA (lapsed member of PTG)
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