Ed: I don't know if you followed the whole thread, but my comments were in response to the observation that suggestions about the handling of hammers were sometimes contradictory and that differences in piano soundboard assemblies might account for that. My point was that certain hammers require a certain type of treatment no matter what piano they are in. Just as you wouldn't lacquer a Renner hammer to compensate for some soundboard anomaly, neither would you hope to improve the tone of a Steinway hammer by needling the shoulders in some other type of setup. A Steinway hammer by design will always need to be made denser (or stiffer if you prefer). A Renner hammer will always need to be made more resilient. By the way, Steinway shoulders do not need to be completely solidified with hardener, nor do I think they should be. In fact, if you keep the hardener off the shoulder and put it under the crown at the core of the hammer where it is needed, then as the hammer wears you are less likely to get the noise that comes from the strike point expanding into the rock hard shoulder. Of course, a periodic filing doesn't hurt either. David Love ----- Original Message ----- From: <A440A@AOL.COM> To: <pianotech@ptg.org> Sent: July 24, 2002 2:50 PM Subject: Re: Boston Hammers, was: Interesting Piano Belly - Mehlin Grand David writes: > but I've never had to lacquer a set of Renners (bottom 5 or >>top 5 notes excepted) or needle the shoulders in a Steinway hammer to >get more resilience because of a particular soundboard assembly. Greetings, I am with you on the Renners, but the STeinway hammers are not supposed to be needled anywhere but in the crown. (according to Fred Drasche and other factory personel). As I look at the new Steinways, I often see needle tracks going straight down into the supposedly "un-lacquered" core, but rarely see the lower shoulders punctured. Which makes sense, since the shoulders are usually completely solidified with hardener and the needle simply leaves a hole in the cement. Regards, Ed Foote RPt
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