---------------------- multipart/alternative attachment Friends and colleagues, I was between jobs today, listening to Debussy's Preludes in the comfort of my automobile, when a thought struck me: a true whole-tone scale can only be achieved in equal temperament. The percentage of difference between each like interval would have to be the same throughout the keyboard for a true whole-tone effect to be achieved. Then I realized that this subject is fodder for more enlightened minds than my own. Any theoretical or historical insights on this one?? Dave Stahl ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/2e/51/08/8b/attachment.htm ---------------------- multipart/alternative attachment--
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