---------------------- multipart/alternative attachment List, I have long used the same method for billing the customer as David. It has worked well for me. I explain to the customer how I charge beforehand, and there has never been an issue. I can spend a little more time getting the piano up to pitch, or getting rid of a rattle or buzz, doing a minor repair without fretting about how to tell the customer. I recently encountered a beautiful but neglected 1922 Steinway A. It hadn't been tuned in 8 years, and I don't think the soundboard had been cleaned for a couple of decades. The music desk had lost screws(and some wood along with them). In addition to my basic tuning fee(based on 1 1/2 hours like David), I spent an extra hour getting this beauty so that it sounded and looked like it should. No complaints about "fine print" from the customer, extra $ and satisfaction for the tech. >From my experience seems that people have an easier time with a base fee and an hourly rate thereafter than with being told that their piano needs this adjusted, that changed, this tweaked, that regulated, all for an extra fee. Everyone has a way that feels more comfortable to them; this is the one that works for me. Just my 2 cents(pun intended), Dave Stahl In a message dated 3/15/02 3:30:46 PM Pacific Standard Time, davidlovepianos@earthlink.net writes: > > I have gone around in circles about the best way to bill for my services > that is fair to the customer, adequately compensates me for my time, and > allows me to provide the best service possible. Inequities stemming from > frequency of service, problem pianos, customer expectations, combined with > my desire to avoid having to explain every nickel and dime operation that I > see as necessary, have finally led me to structure my fee schedule as a > pure function of time. > > My basic fee is now based on a 1.5 hour service call. In that time, if the > piano is serviced regularly, I can usually complete a tuning in about an > hour. That leaves me 30 minutes to do whatever else I see as most > pressing: lubricating, cleaning, voicing, etc.. If the piano requires a > pitch raise or lowering prior to fine tuning, I can usually accomplish both > comfortably in 1.5 hours, usually with a little time left over. If the > amount of work required, or requested, exceeds 1.5 hours then I bill the > additional hourly. If the piano is a Steinway F or some other such monster > I will usually require the entire 1.5 hours if the piano is at pitch to > begin with (not my problem, they bought the stinkin' thing without asking > me). But generally, I can then leave the piano having taken care of > something other than tuning. The customer will be more satisfied with the > instrument and the instrument will better represent my abilities. > > In the past, when I have suggested that a piano needs something to a > customer, they have often replied, "Gee, why didn't the last technician > tell me that." The truth is that we get into such a mindset that customers > are unwilling to entertain the idea of doing something that entails an > additional cost, that we often neglect to do things that really should be > done routinely. Using this method I can, over time, address most of the > needs of a piano if the customer is servicing the piano on a regular basis. > > > Going to this method required a slight increase in my fee and I was a bit > concerned about this at first. But I am finding little or no resistance > when I explain that the fee buys a block of time. Overall, it has allowed > me to reduce my appointment load on any given day to a maximum of 4 (before > it was 5). There is less driving and less stress involved in making it to > the next appointment on time when I run into something unexpected. I can > deliver better service and feel more satisfied with my work. Customers are > ultimately more pleased with the instruments (even if they don't know > exactly why) which is good for referral business. I suggest you all > consider it. > > David Love > > > ----------------------- Headers -------------------------------- > Return-Path: <owner-pianotech@ptg.org> > Received: from rly-za04.mx.aol.com (rly-za04.mail.aol.com [172.31.36.100]) > by air-za01.mail.aol.com (v83.45) with ESMTP id MAILINZA11-0315183045; Fri, > 15 Mar 2002 18:30:45 -0500 > Received: from bridget.rudoff.com (bridget.rudoff.com [206.168.112.96]) by > rly-za04.mx.aol.com (v83.45) with ESMTP id MAILRELAYINZA46-0315183010; Fri, > 15 Mar 2002 18:30:10 -0500 > Received: (from majordomo@localhost) > by bridget.rudoff.com (8.9.3/8.9.3) id PAA09550; > Fri, 15 Mar 2002 15:58:20 -0700 (MST) > Received: from albatross.prod.itd.earthlink.net > (albatross.mail.pas.earthlink.net [207.217.120.120]) > by bridget.rudoff.com (8.9.3/8.9.3) with ESMTP id PAA09545 > for <pianotech@ptg.org>; Fri, 15 Mar 2002 15:57:47 -0700 (MST) > Received: from dialup-166.90.41.21.dial1.sanfrancisco1.level3.net > ([166.90.41.21] helo=crc3) > by albatross.prod.itd.earthlink.net with smtp (Exim 3.33 #1) > id 16m0au-0006bg-00 > for pianotech@ptg.org; Fri, 15 Mar 2002 14:54:41 -0800 > Message-ID: <008201c1cc74$649a7000$15295aa6@concentric.net> > From: "David Love" <davidlovepianos@earthlink.net> > To: "Pianotech" <pianotech@ptg.org> > Subject: Fees > Date: Fri, 15 Mar 2002 14:54:37 -0800 > MIME-Version: 1.0 > Content-Type: multipart/alternative; > boundary="----=_NextPart_000_007F_01C1CC31.543E08E0" > X-Priority: 3 > X-MSMail-Priority: Normal > X-Mailer: Microsoft Outlook Express 6.00.2600.0000 > X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 > Sender: owner-pianotech@ptg.org > Precedence: bulk > Reply-To: pianotech@ptg.org > > > ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... 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