Richard Very similar to my technique. I use a whole step method and two strips and find that any over pull is generally less, and the tuning is more stable through the unisons. For some reason I have better luck with stability than tuning in sequence-half steps. Paul Chick ----- Original Message ----- From: "Richard Moody" <remoody@midstatesd.net> To: <pianotech@ptg.org> Sent: Thursday, March 28, 2002 1:25 AM Subject: Re: Muting high treble > Here is my recomendation. > Mute all the trichords from where they begin up to #88. > Tune the temperament. Tune down from there through the bass. Next > tune the single string of the muted trichords up to 88. Then pull > the temp strip from the lowest tenor note and tune the unisons. The > first time I tried this I needed a lot less "over pull" in the > treble. -=ric > >
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