----- Original Message ----- From: <JIMRPT@aol.com> To: <pianotech@ptg.org> Sent: November 19, 2002 9:24 AM Subject: Re: When is a Steinway still a Steinway..getting OT > > In a message dated 19/11/02 12:21:47 PM, pianobuilders@olynet.com writes: > > << a decent small piano and name it > > Brambach >> > > Well you 'couuuuld' but it would be an oxymoron, nes pe?? > Phil Jolly Not necessarily. In several ways I consider Brambach to have been a successful piano designer. Think of what he was attempting to do. In the 1920s he set out to build a grand piano for the masses. I.e., one that was both small enough to fit into the smaller homes of the working class and inexpensive enough for the working class to afford. And he was attempting to do this using an American work force to which were paid prevailing wages as opposed to going offshore and exploiting pathetically underpaid workers in some 'developing' country. And he had to do it without the benefit of highly sophisticated, automated machinery. And he did do it using reasonably decent materials as opposed to Select Hardwood. (No, you'll not find a lot of maple or oak in a Brambach, but you will find a lot of poplar which is not all that bad if used properly. Now, it is certainly true that some mistakes were made both in design and construction but the bottom line is that he succeeded. His pianos were not intended to last through the ages--and we all know that they didn't. Though we keep trying. I do wonder what would have become of the Brambach piano if the 1930s depression had not come along. Del (PS. I just remembered that I shortchanged the name by one composer: in addition to the obvious--Bach--there is also a phonetic reference to Brahms. Let's face it--Brambach is a great piano name! Too bad it wasn't also a great piano.)
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