Handsome Old Timer Needs Bridgework

Alan tune4u@earthlink.net
Sun, 3 Aug 2003 15:26:16 -0500


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Evaluated a 1900 Haines Bros. upright yesterday. Many quality features
evident in the action, etc. Magnificent case with beautiful carvings and
moldings--all intact. The only cabinet damage is areas of veneerial
disease (chipped off pieces) along the bottom of each side.
 
Some unusual things:
 
Has stickers about 4" long that attach to the wippen AND the key with
center pins through birds' eyes. There are no capstans, per se, but the
stickers attach to short rocker arms at the back of the key. Each rocker
(?) has two adjustment screws . 
 
The action brackets attach to the long frame bolts in the usual way but
are also screwed down to the key bed, four brackets with two screws
each. So removing the action requires removing 4 bolts and 184 screws,
most of which cannot be reached with an electric screwdriver! Some will
need to be loosened with an offset screwdriver then taken out by hand
and the screws at the back of the action brackets require a screwdrive
that can reach all the way down through the action. Removing the keys
requires unscrewing 176 very inconvenient screws. Sheesh.
 
The wound bass strings are steel, I believe, because under the dampers
they are very shiny but definitely silver colored, not brass, and they
appear a little skinnier than one might expect. Restrung during WWII is
my guess. Oddly, though, if you take them down and beat on them to
loosen the dirt and stuff, they sound pretty darn good! 
 
The bass strings do not turn around pins at the top, as is so common in
modern pianos. They have their own pressure bar and v-bar. The pins are
in-line so the strings are dead straight from the bridge to the tuning
pins. There are 6 thin wound trichords on the long bridge and plain wire
from E3 up.
 
There are no collars around the tuning pins. The prospective buyer asked
if that was a bad thing and I just said, "Well Steinway doesn't use
them."
 
Pin block is tunable but not tight--may be a problem in the dry season.
There is a stain that suggests it was doped at one time and the spilled
stuff was wiped off (more like "smeared around") with a rag. I'm
thinking that it's a good candidate for CA, especially since it has no
collars.
 
Keytops are in great shape, maybe slightly yellowed, no chips or splits.
One-piece tops. Not ivory, not modern plastic. Probably not original,
either. Ivorine? Might be old plastic from the 60's or something.
 
This piano might be a hobbyist or rebuilder's dream but I will just be
making it work for the owner's children to take lessons on. They are
buying it for $350 if I don't scare them with problems and costs.
 
Soundboard, ribs, frame, plate all damage free. Long bridge has one tiny
eyelash crack and one kinda big one. 
 
The bass bridge, however, is a mess. It is doglegged with eleven
monochords along a horizontal section and 14 bichord pairs on a section
that angles up about 20 degrees. It is capped and the cap, at least, is
all cracked up with severe splits, not surprisingly, at the dogleg bend,
where it is also slighty seperated from the bridge. It all sits on an
apron with about a 6 inch offset.
 
I've never recapped a bridge or made a new one and I don't want to start
with this baby. Anyone who might be interested in doing this for me,
please email me privately with an estimate and any information you need,
etc. HYPERLINK "mailto:tune4u@earthlink.net"tune4u@earthlink.net 
 
Also, anyone with some knowledge or experience on this brand from this
era, please share your thoughts. It really appears to have been a
high-end piano even though, at that time, they were constructed for
Haines Bros. by Winter & Co. (pre Aeolian, natch').
 
If you want to replace steel-wound strings, do the string makers know
how to make equivalents in brass?
 
Alan R. Barnard
Salem, MO
 

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