It's important to realize that from the pianist's point of view, this question is a bit absurd. The pianist cares about how much weight/muscle it takes to get a sound. S/he must accelerate the whole mess, along with damper, so it's the total package that matters. I recently told a professional pianist that I had moved the capstans screws forward on my piano to increase the leverage, to which she replied..."What's a capstan screw?" Once the total energy required to play a note reaches some limit, the piano becomes unplayable. The limit varies somewhat for different people, but the range isn't really that big. My pinky can only output so much energy in that .1 second. So the ultimate border condition is the pianist's fingers. One question a former mentor almost always asked was "what problem are you trying to solve?" I would assert that the piano tries to solve the following: 1. Throw the biggest, fastest hammer at the string you can. 2. Now do it again, quick! 3. And by the way, you only get to use one finger. Of course the whole problem is that 2 and 3 conflict with 1, so the problem becomes one of tradeoffs. Now I realize that isn't really what you were asking, but good to keep in mind when looking for your answer. The solution seems to involve the following: 1. leverage the hammer. This allows higher velocity and allows the finger to continue accelerating the hammer all the way through the downstroke of the key (prevents "fly away") 2. add weight to the hammer until it gets too heavy 3. add keylead or wippen spring or magnets or... 4. if you can still play a trill, go to step 2, else stop -Mark RicB wrote: >Hi touchweight enthusiasts > >Conversations with a few folks recently prompt me to put a question to >you all relative to the problem of action inertia and touchweight. So... >I''ll ask without further ado > >Whats is more important to the <<heaviness>> of the action, the inertia >of the hammer and top action, or that of the key. Or if there exists a >kind of border condition where one becomes more important then the other >and vice versa.... what is that condition ? > >Thanks for any thoughts >RicB
This PTG archive page provided courtesy of Moy Piano Service, LLC