"I'd be interested to hear about the techniques the manufacture used, and your reservations about the process." As would I! What I was specifically considering was whether I would get adequate clamping pressure if I put an 8-inch wide stack of 6 3mm-thick laminates on top of a male curved caul, apply Titebond to the spruce laminates, and put it all in a bag and applied the vacuum (I'm making an 8-inch wide laminated rib). I'm quite sure all would work, but whether the something-less-than 14.7 psi is going to be adequate clamping pressure on the stack of laminates. I fear not. I understand how you are getting the increased pressure from less vacuum with your application Ron. Pretty slick. Terry Farrell ----- Original Message ----- From: "Overs Pianos" <sec@overspianos.com.au> > >----- Original Message ----- > >From: "Farrell" <mfarrel2@tampabay.rr.com> > >Subject: Laminate Gluing Pressure > > > >. . . I am toying with the idea of laminating spruce ribs with Titebond and > >providing clamping pressure with the vacuum bagging technique. > > > > > >At 9:12 AM -0700 26/8/03, Delwin D Fandrich wrote: > >. . . I would not trust the clamping pressures generated by vacuum-bagging > >to adequately form any structural joint having a relatively small contact > >area. > > I could understand your doubts if one were to try it with the panel > on the vacuum table with the ribs being pulled down onto the panel > with the vacuum bag, but in our case the ribs are fixed to the gluing > table and the panel is pulled down onto the ribs. This multiplies the > gluing pressure between the ribs and panel to around six times the > applied vacuum, depending on the spacing between the ribs. > > > >I know of at least one piano maker who tried > >vacuum bagging ribs (against my advice) and gave it up after the associated > >problems became overwhelming (which were consistent with my advice). > > I'd be interested to hear about the techniques the manufacture used, > and your reservations about the process. >
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