This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment At the risk of asking a question that has been asked a zillion times = before...... Is there perhaps a fundamental difference in the way a piano soundboard = vibrates compared to whatever on a violin vibrates from string movement = to produce their respective sounds? Is the piano soundboard moving more = like a speaker cone (I realize most soundboards are pretty far from that = ideal) compared to the vibrating front of the violin? I ask that because = if piano soundboard movement is closer to the speaker cone, we are = strictly looking at a vibrating diaphragm, and the ability of the = soundboard material to "transmit sound" is a mute point (pun intended). = To the best of my knowledge, speaker cones do not "transmit sound", but = rather move as a single unit at whatever frequency(s) is required to = produce intended sound - paper cones work well, but carbon-fiber or a = number of other exotic materials with greater stiffness-to-weight ratios = than paper work better - but not because the exotic cone material = "transmits sound" any better, but rather because the material moves more = efficiently as it is driven by the speaker voice coil - or in the case = of the piano, the string. So my question is - is the speaker cone analogy more closely related to = the case with the piano soundboard and less so with the violin? No = relationship?=20 Again, if fear this has been asked before - and if I've read info on it, = I guess that means I just haven't thoroughly understood it. And here's a question that may not have been asked before (and maybe for = good reason): "As wood gets older,.....and displays lower EMC levels." = Does it? Or does it simply become slightly less dense from losing = volatile components, and then simply carries less water in it at the = same EMC? Terry Farrell ----- Original Message -----=20 From: "Richard Brekne" <Richard.Brekne@grieg.uib.no> To: "Pianotech" <pianotech@ptg.org> Sent: Wednesday, December 10, 2003 3:22 AM Subject: Re: interesting wood article >=20 > Another interesting point seems to be that aged wood having possible = positive > benifits in music instrument making perhaps is not so unreasonable a = proposition > after all. As wood gets older, according to proponents of this = school, it > becomes stiffer, lighter, looses some of its hygrophility (ie becomes > significantly more stable in the face of changes in humidity), and = displays > lower EMC levels. One of the down sides is that it becomes more = brittle. > Evidently the velocity of sound through wood increases with these = changes... ie > aged wood will conduct sound at greater speeds then new wood. These = seem to be > the same kinds of characteristic changes embraced by a few companies = around the > world using new technology thermo treated wood in music instruments. = They are > able to register increased sustain qualities in instruments when = compared to > controll instruments made of untreated woods... or so they say. >=20 > Who knows... :) >=20 > Cheers > RicB > -- > Richard Brekne > RPT, N.P.T.F. > UiB, Bergen, Norway > mailto:rbrekne@broadpark.no > http://home.broadpark.no/~rbrekne/ricmain.html > http://www.hf.uib.no/grieg/personer/cv_RB.html >=20 >=20 > _______________________________________________ > pianotech list info: https://www.moypiano.com/resources/#archives > ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/5b/e0/e5/50/attachment.htm ---------------------- multipart/alternative attachment--
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