"The machine is only for the first-pass structuring of the tuning. There's a fit and finish to it which has to be aural (and experienced), and not just in unisons work." My hand is not up, as I do all my unison tuning aurally. But what do you mean by the above statement? The machine for a first pass, and then no machine is fit to calculate a good final tuning? Not on a well scaled piano? Not with a SAT III with a good DOB adjustment? Not with a Verituner? I'm not saying you can't do it some other way, but Shirley you are not saying that a good machine, properly used, can't calculate a good tuning? Terry Farrell ----- Original Message ----- From: "Bill Ballard" <yardbird@vermontel.net> To: "Pianotech" <pianotech@ptg.org> Sent: Sunday, January 19, 2003 10:37 PM Subject: Re: Aural vs. electronic again, was "Re: Another newbie question" > At 10:39 AM -0500 1/19/03, Charles Neuman wrote: > >I guess the message I get is that the ETD is a useful tool, but ultimately > >it's best to think of tuning as an aural activity. > > Hands up, all ETD tuners who do your final unison tuning with the > machine. The machine is only for the first-pass structuring of the > tuning. There's a fit and finish to it which has to be aural (and > experienced), and not just in unisons work. >
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