---------------------- multipart/alternative attachment Interesting comments in light of some claims as to what can or cannot be heard relative to temperament concerns by piano tuners. Here is a piano tuner who actively employes the playing of a musical piece to help him identify exactly temperament problems, and problems with unisons as well. I wonder if Mike might try and put words to how temperament problems are sensed in this manner. Surely it is not in the same fashion as in attempting to count beats in test intervals. I'd be very interested in what you are actually listening (feeling ??) for RicB Mike Spalding wrote: > Hey Stars, > > I like to start the Brahms Op 119 #1 at measure 24, through about 50. It's > F most of the way, and gets all of the bass and tenor ringing. If anything > is going to shake loose, this will do it. Then at measure 44 or so there > are quiet arpeggios that tell me right away about temperament or unison > problems. Also, a Mozart Andante, I forget which sonata it's from, in > Gmajor. Again, it tells me about problems in the temperament or unisons in > the tenor / treble. > > regards, > > Mike Spalding RPT > -- Richard Brekne RPT, N.P.T.F. UiB, Bergen, Norway mailto:rbrekne@broadpark.no http://home.broadpark.no/~rbrekne/ricmain.html ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/64/b1/14/76/attachment.htm ---------------------- multipart/alternative attachment--
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