Hello, Vaseline mixed with talc or Teflon is certainly better than that I guess. Mutton tallow is probably the source of the slugginess in jacks or repetition springs on many grand whippen. About upright whippen, I believe the height of the whippen is of primal importance, or said in an other way, the "magic line" on a vertical is very sensitive, because of the larger vertical distance than on a grand. The book "the piano key and whippen" (translation from the German Walter Pfeiffer's book) is a very good reading about these matters. best ..... Isaac OLEG Entretien et reparation de pianos. PianoTech 17 rue de Choisy 94400 VITRY sur SEINE FRANCE tel : 033 01 47 18 06 98 fax : 033 01 47 18 06 90 cell: 06 60 42 58 77 > -----Message d'origine----- > De : pianotech-bounces@ptg.org > [mailto:pianotech-bounces@ptg.org]De la > part de A440A@aol.com > Envoye : jeudi 20 mars 2003 01:43 > A : pianotech@ptg.org > Objet : Re: Upright Wippen & Mutton fat > > > > << though I have seen many pianos that sat in a > humid climate for long periods that did not have verdigris. > It seems to me > there must be another factor here. I really don't know if > it's sheep tallow, > I was told it was some 25 yrs ago >> > > I have a tin of pure mutton tallow that was given to me. > It is the absolute > best lube I have ever found for the end pins on Steinway > key frames. It is > curious that after a year or so, there is verdigris forming > around the brass > guides in the cheek blocks. It certainly makes me think > that tallow and > brass create verdigris....... > > Ed Foote RPT > www.uk-piano.org/edfoote/ > www.uk-piano.org/edfoote/well_tempered_piano.html > > _______________________________________________ > pianotech list info: https://www.moypiano.com/resources/#archives >
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