Ed, While we're sort of on the subject of definitions, why is a Victorian called that? What makes it different from a "normal" WT? I used Owen's offsets for Bill Bremmer's EBVT on our early music "guru" at the university recently and he asked me why it was called a Victorian tuning. I'm sure I should know this but I don't. Thanks. Avery >I asked Bill Garlick for his shortest definition of WT once, and his reply >was that it is a temperament in which varied key color is organized along the >circle of fifths,beginning at C or F, and contains no wolves,(hence, is not >retrictive). Traditionally, no third is wider than the syntonic comma of >21.5 cents. > When I am asked further, I tell customers it is a tuning in which the >harmoniousness of the intervals is stacked from more in tune than ET to less >"in tune", creating a palette of harmonic values rather than just one. > >Ed Foote RPT >www.uk-piano.org/edfoote/ >www.uk-piano.org/edfoote/well_tempered_piano.html
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