Thanks John. The pictures are very descriptive. Perhaps I should have asked the first question first. How does excessive flex manifest itself as a problem. For example, does it limit the upper end of power or is the problem literally the delay in response when the key is accelerated too quickly, lack of control, all of the above or something else? If one were hiring someone to make new keys for a piano, let's say a small company in Oregon, what would you specify in terms of either the type of wood used, thickness, reinforcement or anything else to get the type of performance you want? On the flip side, is there any problem with having a key that has insufficient flex? David Love davidlovepianos@earthlink.net > [Original Message] [link redacted at request of site owner - Jul 25, 2015] > To: Pianotech <pianotech@ptg.org>; <davidlovepianos@earthlink.net> > Date: 5/2/2003 7:41:57 PM > Subject: Re: Key Leads and Inertia > > David Love wrote: > > John: > > > > If you find excessive flex in the key, how do you address it. > > > > David Love > [link redacted at request of site owner - Jul 25, 2015] > > John Hartman RPT > > John Hartman Pianos [link redacted at request of site owner - Jul 25, 2015] > Rebuilding Steinway and Mason & Hamlin > Grand Pianos Since 1979 > > Piano Technicians Journal > Journal Illustrator/Contributing Editor [link redacted at request of site owner - Jul 25, 2015] >
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