Streinway "Accelerated action".

Phil Ryan pryan2@the-beach.net
Tue, 6 May 2003 08:36:45 -0400


I was talking to a very influential piano teacher in the area and she
insisted that the reason V. Horowitz was able to play so rapidly was that
his piano was adjusted to increase the repetition speed.  I responded that
if that was possible to do without sacrificing other control aspects,
Steinway and other piano manufacturers would all do it.  I've read "My Life
with the Great Pianist" and see nothing in there were Horowitz's piano was
"juiced."  Am I correct?  Does anyone have any inside info?

Phil Ryan


----- Original Message -----
From: "Avery Todd" <avery@ev1.net>
To: "Pianotech" <pianotech@ptg.org>
Sent: Monday, May 05, 2003 10:18 PM
Subject: Re: Streinway "Accelerated action".


> And then there's always trying to level those d*** things! :-)
>
> Avery
>
> At 07:03 PM 05/05/03 -0700, you wrote:
> >This may not be sometrhing that can easily be
> >measured, but I am quite certain that it is something
> >that a pianist can feel, i.e. 3 separate fulcrums per
> >keystroke, vs 1.
> >      Thump
> >
> >--- Ron Nossaman <RNossaman@cox.net> wrote:
> > >
> > > >Personally, I'm not convinced that S&S's
> > > accelerated action really does
> > > >anything.  The shift in fulcrum would be miniscule,
> > > hardly enough to make
> > > >any sort of measurable difference in either the
> > > action ratio or the key's
> > > >moment of inertia.  There would *technically* be
> > > shifts in these values, of
> > > >course.  Technically, the mechanical advantage over
> > > the capstan end would
> > > >decrease as the key is depressed.
> > >
> > > Realistically, the effective fulcrum point is going
> > > to shift more rocking a
> > > flat key across a well compressed flat punching than
> > > across a half round
> > > dowel. Maybe the benefit is that the fulcrum point
> > > *doesn't* move, and the
> > > key leverage *doesn't* change as much through the
> > > stroke.
> > >
> > > Ron N
> > >
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