> >As I recall, roughly the tail-most 2/3 of the soundboard, measured parallel > >to the ribs. I didn't really have adequate access to the remainder of the > >soundboard to stretch a line. It has about a 1/4" crown in these areas. > > That's why I asked. Everyone wants to measure crown in the place where > soundboards nearly never go concave, and never the place where they nearly > always do. How does it look in octave 6, where crown typically reverses? Ah! I didn't know that. Well, I placed a straight edge up under the soundboard close to the second treble rib. My guess (since I can't really measure very well there) is that I have slightly less than 1/8" of crown there. Most of the curvature seems to be where the rib tapers, if that means anything. The middle of the high treble board is less curved, with perhaps 1/32" of arch to it, depending on where the starting and stopping points are defined. So is it a keeper? ;-) The piano was probably quite well cared for in its youth and middle age. It originally ended up with an opera coach for the NY Metropolitan Opera, who put a lot of mileage and little maintenance into it. Before that, it's believed it belonged to the Met, undoubtedly as a performance instrument. My guess is that it was retired as a performance instrument as it grew older and allowed to deteriorate somewhat (albeit with very good climate control). Then in 1971 it was bought by the opera coach, who put a few bucks in it to have the action and bass strings replaced. Then further deterioration with more typical climate control conditions. I wish I could ask the coach, but he and his partner scooted off to Canada in preparation for some apocalyptic event. They sold it to a recording studio that sold it to me after a couple of years, but they didn't leave any contact info. I wish I could reconstruct my piano's history, because I know it must have enjoyed its time in the sun. It might have even been immortalized in a few old recordings. If it could only speak to me... <smile> Peace, Sarah
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