----- Original Message ----- From: "Richard Brekne" <Richard.Brekne@grieg.uib.no> To: "Pianotech" <pianotech@ptg.org> Sent: October 01, 2003 2:11 PM Subject: Re: RC vs CC again > > > I suspected something along these lines Del. Thanks. It's has been > bothering me ever since it came up a couple weeks back. So the notion of > two soundboards...one CC and the other RC, both with exactly the same > mass, parts dimensions, and crown isnt really going to result in the > same kind of sound at all... because the CC board will have more > stiffness... Is that about right ?... and same downbearing applied to > both will result in a different match of impedances. I should hope so. It's been written in about 47 different ways. No, the two soundboard cannot, by definition, have exactly the same everything and still sound the same. There will be design differences. This does not mean that the sound produced by two soundboards, one compression-crowned and one rib-crowned, cannot sound essentially identical. At least at some point of the pianos life cycle. The rib-crowned soundboard can be engineered to sound pretty much the way you want it to sound. The compression-crowned soundboard is a moving target. (Well, both of them are to some extent, the compression-crowned soundboard considerably more so as compression-set alters the physical shape of the wood fibers.) Nor does this mean the compression-crowned soundboard will have more stiffness. In fact, usually quite the opposite is true. Especially after the two have aged a decade or two and the compression-crowned soundboard . Now, repeat after me -- "The ribs used with a rib-crowned soundboard system can be made as stiff or as flexible as the designer/builder wants them to be. And the ribs used with a rib-crowned soundboard system can be a light or as massive as the designer/builder wants them to be. The cross-section can be varied to suit the designer/builder's idea of what the piano should sound like. They can be tall and narrow or they can be short and wide. Each will give a soundboard (hence, the piano) its own unique sound. It is a choice made by the designer/builder." > > > Ok... so what is this telling me.... that in order to get two panels, > one a CC > and the other an RC, to have the same stiffness, then something else is > going to have to be significantly different about them. How are you > going to be able to end up with the similiar stiffness to mass ratios > without either having significantly different crown and / or rib > dimensions ? You can't. The ribs are generally going to be somewhat taller and narrower. Picture the ribs used with a typical compression-crowned soundboard system turned on their sides and crowned. They may still have about the same mass but, considered as structural beams, they will be some stiffer. This is compensated for by having less (if any) compression within the soundboard panel, hence no system stiffness contributed by any stress-interface between the panel and the ribs. Even if there are some technical differences between the two, their characteristics will be close. At least they can be. But what is it you are aiming for? You say you'd like to duplicate a compression-crowned soundboard system? But, as I say, this is a moving target. Nor is it a particularly desirable target in all respects. For starters, how much crown does that compression-crowned soundboard have? On which day? What is the relative humidity? Over which section of the soundboard are you going to measure crown? By nature these things tend to distort quite a lot. All of this changes through the year and over time. Even with the best of quality controls no two are going to be alike. Wood is not a perfectly uniform material, every panel is going to react just a bit differently. The is going to be a range, that is, the crown may never start out as more than something or less than something, but it is going to vary considerably within that range. Then, how long after assembly are you going to measure that crown? One week? One month? A year? It's going to change considerably over these time spans. The rib-crowned soundboard system will remain much more stable over the same period of time. Del
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