Hi Kevin, The only problems I sometimes have after my initial pitch raise is that, during the fine tuning, the extreme treble (depending on the piano) can be knocked down 5-6 cents with hard blows. To keep this from being a problem, I simply bring the pitch back up while repeatedly hitting the key to stabilize the note. This seems to work quite well for me. Maybe I should also note that I use an impact hammer for both pitch raising and fine tuning. Corte Swearingen Chicago "Kevin E. Ramsey" <kevin.e.ramsey@c To: "Pianotech" <pianotech@ptg.org> ox.net> cc: Sent by: Subject: Re: Pitch Raise, was: Standard Pitch pianotech-bounces @ptg.org 10/10/2003 09:13 PM Please respond to "Kevin E. Ramsey"; Please respond to Pianotech Corte, let me ask you this; do you ever find yourself doing the second pass, and you do a test blow that ends up being five or six cents flat? The time for test blows is indeed after the pitch raise (and during it, but definately after it also) . The speaking length may indeed be at pitch, but if you don't have all segments of the string up to tension, it's going to go south. After doing a pitch raise, I don't really feel like yanking the strings up all over again. Just something for you to think about while you're out there tuning, that's all. Kevin. ----- Original Message ----- From: cswearingen@daigger.com To: Pianotech Sent: Friday, October 10, 2003 12:47 PM Subject: Re: Pitch Raise, was: Standard Pitch Like Terry, I'm a bit confused on this as well. To me, the purpose of a pitch raise is not to necessarily leave a note sharp, it's to leave a note a close to the target pitch as you can. Some notes will be slightly sharp of target and some will be slightly flat of target. If I do a pitch raise, there is no need to do a subsequent rough tuning - just a fine tuning. Corte Swearingen Chicago
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