Howdy again- Yes, what you say certainly makes sense..... I suppose Dave Carpenter would be the one to ask. It may very well have something to do with the "map is not the territory" syndrome. Paul Revenko-Jones used this example in a class to describe that no matter how good the map is, it still isn't a perfect representation of the landscape. I'm assuming that likewise, now matter how well it SEEMS that we can predict a string's vibration, (or soundboard, or bridge, etc) there may well be some surprises in a real piano. Also, I think the multi-partial approach hopes to get the strongest signal into the machine, by not inadvertantly focusing on a weak partial. Ron Koval Chicagoland <snip> The algorithm controlling the spinner needs only keep track of one partial as usual, the pitch of which is determined by the tuning curve calculation (et al). You wouldn't need to continually read and mix all the partials of the string in real time to control the spinner if their relationships to one another are stable through moderate pitch changes. Track one, and the rest follow. Ron N _________________________________________________________________ Use custom emotions -- try MSN Messenger 6.0! http://www.msnmessenger-download.com/tracking/reach_emoticon
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