This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Hello Del The problem of kinking the strings is only present when repairing a = string in an already strung piano where there are agraffes. In fact I = made an error here ;-) I meant the kink is more likely to be in the area = between the agraffe and the wrest-pin - not the speaking length... tut = tut tut!! A kink put there due to the length of space between those two = points and the need to raise the pin like a dagger before plunging it = into the hole. Gad! How poetic! This raising of the pin must of = necessity bend the string at the agraffe. But this is nothing to do with the discussion I notice - so I'll sign = off here! Must go and tune two Harpsichords in 15minutes - or less... = :-) Regards Michael G (UK) ----- Original Message -----=20 From: Delwin D Fandrich=20 To: Pianotech=20 Sent: Friday, October 24, 2003 2:04 PM Subject: Re: Fw: Baldwin pre-cut string ----- Original Message -----=20 From: Crashvalve@aol.com=20 To: pianotech@ptg.org=20 Sent: October 24, 2003 4:42 AM Subject: Re: Fw: Baldwin pre-cut string In a message dated 10/24/03 5:18:00 AM, michael@gambles.fsnet.co.uk = writes: I challenge you to wrap a string round a wrest-pin where there's an = agraffe and then hammer the pin into the pin-block without putting a = kink in the speaking length of the string. If you can do it I'd like to = know. ;-) This is precisely the point, it is doubtful that a string having been = dinged or kinked during install or "hooked" to voice, will then = re-straighten itself with the usual speaking tension. My question = relates to how does one or how can one straighten a GENTLE curve of the = string in the critical inch segment before it terminates at the agraffe = or V-bar. Several techs believe this improves the tone. Glenn C. (is for Coleman)=20 I would guess that most of us string pianos all the time without putting = any noticeable kink out in the speaking length of the wire. Indeed, I = would say it would take a pretty sloppy stringer to put kinks in the = wire out in the speaking length of the string. He or she certainly = wouldn't work in our shop. There is quite a difference between a kink in the wire -- i.e., abruptly = bending the wire enough to take the steel beyond its proportional limit = and putting a permanent bend in the wire -- and the gentle curve = observed in the wire as it approaches its termination. The extent of = this curve is a function of the string's stiffness (its diameter) and = the string deflection angle as it passes either through the agraffe or = across the V-bar. This bend appears because music wire is not perfectly = flexible, not because the stringer is putting a kink in the wire. A = similar, though milder bend can seen as the wire approaches the bridge = pin offset. Both of these tend to dissipate over time. Or they can be = straightened out by one of several string leveling techniques. (Check = the archives for string leveling.) Indeed, in most shops, this string = leveling is done as a normal part of the stringing operation. Not so = much because "a straighter wire gives truer harmonics," but because we = want the hammer to strike all of the strings of the unison = simultaneously. Del ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/b3/ac/8d/a2/attachment.htm ---------------------- multipart/alternative attachment--
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