on needling old upright hammers

David M. Porritt dporritt@mail.smu.edu
Fri, 16 Jul 2004 15:15:47 -0500


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Julia:
I think the most effective voicing work is done at the crown, but=
 not deep.  Make a soft surface over a hard core and you'll get=
 the widest tonal spectrum.  It's great that you can learn this=
 stuff on your own piano.
dave
PS, your last post about your rates tells me that this is now how=
 you are making your living.  Right?
__________________________________________
David M. Porritt, RPT
Meadows School of the Arts
Southern Methodist University
Dallas, TX 75275


----- Original message ---------------------------------------->
From: <Alpha88x@aol.com>
To: <pianotech@ptg.org>
Received: Fri, 16 Jul 2004 15:36:49 EDT
Subject: on needling old upright hammers

Greetings,

             We were told in piano tech school NOT to needle=
 hammers right on the crown. Upon arriving home from 9 months at=
 tech school, I was Jones-ing to refurbish my old upright and=
 needle the hammers in my Yamaha U3, as the tone was harsh on=
 both pianos. 

              Well, I first did the old upright's hammers.=
 Needled the "shoulders of the hammers careful to not go near the=
 crowns. Put the action back in the piano and I heard hardly no=
 change. That horrible harsh, explosive, glassy sound prevailed.=
 So, I decided to slightly needle just a few of the offenders=
 alittle closer to the crown. No difference...tried alittle=
 further into the crowns....To make a long story short, I didn't=
 alleviate the harsh tone till I deeply pounded the needle right=
 in the crowns of the things! What gives?

               I got the results I wanted, namely a more mellow=
 tone, but only when I did exactly what I was told NOT to do.

Julia Gottchall, 
Reading, PA 


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