Phil writes >/RicB writes >This is simply incorrect. True enough when a soundboard and bridge />/become so damaged that there is no positive bearing, or that bearing />/is lacking relative to some portion of the bridge surface, then />/seating becomes a very temporary fix.... increasingly so with the />/amount of damage. But this does not cover the cases when strings />/need seating despite positive bearing all around. />/ />/RicB / If humidity increases and the bridge moves up and the string does not, then the cap will be crushed locally by the pin. When the humidity decreases then the cap will move back down and once again the string will not. So there will be a gap between the string and the bridge cap at the edge of the notch, even if downbearing is positive. So, you have a case where the string needs to be seated despite positive downbearing. I don't see why this case isn't covered. Phil F By reverse logic, if humidity increases and the bridge moves up and the cap does not experience crushing, then the string obviously has moved... for whatever reasons. This happens quite a lot actually. If it didnt you would see severe notch indentation the very first season change... every time. In actuality newer pianoes usually have only slight indentations, and much of these are caused by over eager string seating proceedures. The whole point of Rons argumentation is that the bridge surface pushing up against the clamped strings results in the bridge surface being crushed to the point of forming an indentation that lies under the line drawn from the strings highest point on the bridge to the front termination. When this happens there is negative bearing at that indentation. If on the other hand there IS positive bearing at this point AND the strings still need seating... his theory fails to explain how this can be... and indeed claims the condition is impossible. Since, however, it is clearly observable that this condition DOES exist and quite frequently... I have to disagree with him :) Cheers RicB
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