At 08:58 PM 4/24/2005 -0700, Phil Ford wrote: >David, > >I have only included a brief excerpt of your post here. Frankly, I found >your post overwhelming. There were many questions, none of which I could >answer. Each one could serve as the basis of a PH.D. thesis, so I >couldn't hope to answer them in an e-mail, even if I had answers, which I >don't. I see nothing wrong with an attempt to understand the acoustic >process more fully, but it is a large task, for which I'm not sure I have >the energy. As you can see, just trying to address the seemingly simple >phenomenon of bridge indentation by the strings requires multiple posts >and a lot of discussion. I'm not sure I'm up to trying to address why >there is a difference in sound between an angled bridge pin and a vertical >one, especially since the people who are telling us that Wapin is a great >new invention don't seem to be able to supply an explanation >themselves. If you want to dive into these subjects then you have my >admiration, and I'll try to participate if I can. But rather than posing >all of these things as questions, why don't you propose an explanation, >which might generate a discussion? > >Phil Ford Phil- Your point is well taken, and you've made it before, I think. I seem to take the easy way out...just asking the question, although, for me, even framing the question is a struggle. To the extent that I appear to be expecting the "answers" from either you or Ron, I apologize. As I may have said in the past, I seem to react if I perceive less-than-definitive data and theory being presented as absolute fact, even as the explanation might be comfortingly clear. You are right in suggesting that I need to generate some of my own data and theories. Regards and thanks - David Skolnik
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