veneer over soundboards

Terry terry@farrellpiano.com
Thu, 24 Feb 2005 21:17:05 -0500


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Ron Shiflet wrote:=20

  About a month ago, I started a thread about soundboards and whether =
old wood sounded better than new wood.  That discussion went into =
overtime and I do NOT wish to start it over.  Since that thread was =
posted, I have torn apart a few landfill quality pianos for experimental =
purposes.  I disected the soundboards to see what makes them tick, so to =
speak.  Here's an observation for your information. =20

I tore apart 2 Lester spinets.  The one made in '46 had a solid spruce =
soundboard and several cracks.  The one made in '57 appeared to be a =
nice flawless spruce board with no cracks.  I very carefully removed it. =
 It turned out to be a plywood soundboard covered with a beautiful =
grainy veneer on both sides.  Perhaps that's why it had no cracks? =20

Likely.

Perhaps that's also why it had the tone it did.=20

And what tone did it have?=20

Today, my son is gutting an old Kimball spinet with a mahogany =
soundboard.  It too turns out to be veneer over plywood.  Tomorrow we'll =
get into a Story and Clark console with the famous "Storytone" =
soundboard, made of mahogany.  I may prove to be wrong but I have a =
suspicion that I'm going to find mahogany veneer over plywood. =20

You have any doubt?

My point is this:  There can be some hidden factors affecting the tone =
of a piano that both the public and we as piano technicians may not be =
aware of...such as a misleading soundboard.   =20

Misleading? How so?

In the future if I ever get into voicing an older vertical piano again =
and the hammers won't give me the tone I thought it would...maybe the =
hammers aren't the problem.=20

It sounds like you are eluding to something else being a problem. What =
might that be?

Terry Farrell   
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