> This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ---------------------- multipart/alternative attachment > Tone quality is always an interesting topic to me. >=20 > Kind of THE interesting topic for piano wizards. >=20 >=20 > I've gotten rid of a few recordings because I couldn't stand the voicing= of > the piano. >=20 > me too---more than a few; most of Keith Jarrett=B9s recordings, for one. >=20 > Voicing in a major league, world-class manner is a product of creating a = tonal > memory; this is done by listening to great pianos however you can. The > performance pianos recorded in the 40=B9s and 50=B9s were, by and large, dark= , > powerful, clear, and throaty, with roar and snap at double or triple fort= e, > but NEVER clangy or distorted. IMHO. >=20 > Modern recordings, while able to take advantage of pristine and precise > recording technology, often sound thin, bangy, and far away. >=20 > Thanks for your love of the craft, Barbara. >=20 > More on this later. >=20 > David Andersen > Malibu, CA >=20 ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/33/76/81/53/attachment.htm ---------------------- multipart/alternative attachment--
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