On 13-mrt-05, at 8:10, Horace Greeley wrote: > > Hi, Phil, > > Assuming that you have already done the normal tapping of strings & > etc. type stuff - what do the strings sound like when plucked as > opposed to when struck by the hammer? That is, how much sustain do > you get one, relative to the other. If the sustain is consistent, > good/bad/etc aside, then the problem is quite probably the > hammer(s)...at least in that section. > > Also assuming that these are stock CFIII hammers, they really do not > like much in the way of liquids; and respond much better to quality > shaping and judicious needlework to develop tone. (The techniques are > much more like working on Bechstein or Bluthner than a North American > instrument. Various folks have written about approaches.) If, > however, they have been over needled across the crown (a growing > problem), either be pleased that you can pass this work back to > someone else or try to sell a new set of hammers. Since you said > "CFIII" and not "CFIIIs", this sounds like an older instrument which > might well be ready for a number of things. > > I'd be interested in what you find with some further diagnostics. > > Best. > > Horace With Yamaha's it is almost always da hammah... solution: new hammer good regulation good tuning good voicing problem solved If this concerns a CFIII, the result may be less prominent, if however it is a CFIII-S the result can be very nice indeed but be aware of the softer Wurzen felt they use, and indeed, don't use juice. friendly greetings from André Oorebeek www.concertpianoservice.nl "Where music is no harm can be"
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