The problem is that the bridge is pretty level all the way across. So if you lower the plate at the nose bolts (which actually isn't possible because the picture was taken with the nose bolts at neutral) you would have to lower the bridge, unless you built up the aliquots by a considerable amount. The dowels are all cut pretty evenly around the perimeter. The plate just warped. My understanding is that during certain periods at Steinway, plate warping was more of a problem that at others. If you set the plate at neutral, as I mentioned earlier, that would force a fairly severe change in elevation, and mass, of the bridge from one end to the other. What is the effect of that, I wonder. The difference would be over 12 mm from low tenor to upper treble unless you could fool around with the plate and block at the treble end and raise that. Then, of course, you start creating problems with string height and bore distance, etc., etc.. Maybe the correct answer in this case is jut to bend the sucker down and the hell with it. I believe Shirley did make this one. David Love davidlovepianos@comcast.net -----Original Message----- From: pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] On Behalf Of Farrell Sent: Friday, May 20, 2005 3:10 PM To: Pianotech Subject: Re: Plate Flexing How flat is the plate along the hitch pins? If that is fairly flat, then you should simply be able to adjust nose bolts to get the plate where you want it in that low tenor area. Is a string stretched across the bass notes a similar height above the bass bridge? If there is, is there any problem to simply lower nosebolts to position plate properly? Maybe someone tried to "tighten" the nose bolts in the past? (i.e.: "what are those darn things for anyway?") Shirley the piano was not manufactured that way!!!!!!!!!!! Terry Farrell > While taking off the plate bolts of a Steinway L (c1961) I noticed the > plate coming up at the tail. The photo shows a stretched string between > the agraffe and hitch at note 27 after removal of the bolts--no movement > in the treble, btw. Before removing the plate bolts, the bearing > measured plus 1o at this point. Total amount of flex in the tail was > about .75". Interesting in that the bridge is fairly uniform height and > the plate is level along the stretcher. If I were to recap the bridge > to accommodate the plate in a neutral position, there would be a 14 mm > difference between the height of the bridge at not 27 and note 88. > > While the plate clearly has sat this way for a long time, I'm not real > crazy about bending it that much again. Plate flexing on Steinways is > common but I've always wondered what the upper limit is. This seems a > bit excessive. This piano will not get a new soundboard (unfortunately) > but that wouldn't really solve the problem anyway. It seems that the > plate is warped. The string height does dip somewhat at the top of the > treble (typical) and since I'm putting in a new block my thought is to > raise that side of the plate a bit which would rock the plate down a bit > in the back (though not much), recap the bridges (all of them will need > to be done) to allow a lesser amount of flexing at the tail. > > Any other suggestions or comments would be welcome. > > David Love _______________________________________________ pianotech list info: https://www.moypiano.com/resources/#archives
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