Hello Ed and List I am contemplating re-stringing an S&S "D" Nr.63388. It was built in the Hamburg factory on January 18th. 1890 and shipped to the UK. There it was bought by the grandfather of my client as a 21st birthday present. "What would you like for your 21st birthday, my daughter? Choose anything! Money is no object!" reply "I want a Steinway Concert Grand Grandpapa" So that's why I have to contemplate re-stringing it. Believe it or not the hammers and rollers are in quite good shape! However, Ed., I was wondering where, in the annals of that S&S learning curve you mention, did my 1890 "D" fit? Shall I have troubles with the block and stretcher assembly? Question (considering the difference in piano nomenclature between the US and the UK) what part of the S&S is the "block and stretcher assembly"?(I'm glad I asked tht question:-) Regards from a beautifully sunny but windy day in the Sussex Downs Village Michael G.(UK) ----- Original Message ----- From: <A440A@aol.com> To: <pianotech@ptg.org> Sent: Sunday, May 22, 2005 6:04 PM Subject: Re: Old Steinways > Phil writes: > > << All this talk about old Steinways (pre-1875) are coming in very handy > > right now since I have a 7' 1865 in my shop as I type. > > What I find so fascinating about these instruments, or any instrument > > made before the Industrial Revolution is the fact that they were made > > before the Industrial Revolution. I'm sure we could all learn quite a > > bit by going back in time for a time for a look-see into how they did it. > >> > > Greetings, > Ah yes, we can learn a lot. Specifically, how not to make a piano. That > is what the Steinways did between 1853 and around 1880. There are a lot > of > things in these pianos that the makers realized needed to be changed. > One of the most important things I have learned about these pianos is > how > weak the block and stretcher assembly is. I had the factory rebuild a > type 3 > piano from about 1870. Even after they had done all the work to spec. , > the > stretcher still bowed up terribly when the piano was under tension. It > isn't > very stable, tuning wise, either! > Dale Irwin writes of maybe addressing this with a Falconwood stretcher, > but I would suggest finding some way of getting some steel in there. Maybe > a > heavy piece of angle iron that could be let into the stretch/block before > it is > installed? Somehow, more resistance needs to be found to the rotational > force > upon the pinblock when all the strings are pulling. > I don't think it always true that the older the better. I believe > that > the first pianos coming out of Steinway were designs in progress, and the > really great pianos happened after they had finished their learning curve. > Regards, > > > > Ed Foote RPT > http://www.uk-piano.org/edfoote/index.html > www.uk-piano.org/edfoote/well_tempered_piano.html > >
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