spring think bling bling

David Love davidlovepianos@comcast.net
Sun, 18 Sep 2005 10:39:25 -0700


Not really.  Since the strings already sits at the bottom of the rut, you're
not really decreasing the bearing by shaving the bridge down to that point.
You will need to renotch, of course.  

David Love
davidlovepianos@comcast.net 

-----Original Message-----
From: pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] On Behalf
Of Michael Gamble
Sent: Sunday, September 18, 2005 9:53 AM
To: 'Joe And Penny Goss'; 'Pianotech'
Subject: RE: spring think bling bling

But if you shave the "ruts" out you'd also lose some of the downbearing.
Capisce?
Michael G.(UK)

-----Original Message-----
From: Joe And Penny Goss [mailto:imatunr@srvinet.com] 
Sent: 18 September 2005 15:42
To: Pianotech
Subject: Re: spring think bling bling

Hi Ric,
I am guessing that the string does not have a clear termination point due to
its riding in the valley of the rut or groove. As it sings the termination
is sometimes on the side of the pin and again on the valley of the groove.
Never together as it should be.
How is the bearing? Enough to de-pin and shave the ruts out? Then re-pin?
Joe Goss RPT
Mother Goose Tools
imatunr@srvinet.com
www.mothergoosetools.com
----- Original Message ----- 
From: "Ric Brekne" <ricbrek@broadpark.no>
To: <pianotech@ptg.org>
Sent: Sunday, September 18, 2005 12:19 AM
Subject: spring think bling bling


> Hey Joe:
>
> That thought had crossed my mind as well. I would be interested in
> hearing folks thoughts on how serious the damage is.  Both long term and
> short.
>
> There is some falsness developing in the instrument. Not the <<nice
> pretty>> kind that one can identify by putting a screwdriver to a bridge
> pin. More like a kind of unclearness... a kind of phasing if you will.
>
> Cheers
> RicB
> ---------------
> Another way of setting down bearing? <O:
>
>  Joe Goss RPT Mother Goose Tools
>
> _______________________________________________
> pianotech list info: https://www.moypiano.com/resources/#archives
>




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