Bob, I tuned an M yesterday with a similar problem. It was like the tone was being sucked up rather than spreading out. I determined voicing would help only a little, as plucking the string yielded a slightly better tone than the hammer striking the string. But, I think most of the problem must be in the board. I don't know the age of this piano, as the plate had been repainted at some point, but it is an older M. I would guess 1930s - 1940s. Obviously, with its age, it's not hard to guess that the board is pretty much gone. The only other newish Baldwin grand I service is a 1999 L, but the tuning pins are so blasted tight that I'm focusing on how to wrestle it into tune rather than on the tone. Generally, it sounds all right when I'm finished, though, but my judgment might be subject since I'm pretty much debilitated after tuning this beast. This is one of the few pianos that after I finish, I feel like going home and taking the rest of the day off. ;-) There has been much written about Baldwins with negative crown - you might look in the archives. John Formsma -----Original Message----- From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of Bob Hull Sent: Friday, May 19, 2006 11:27 PM To: Pianotech List Subject: Re: Baldwin model L Funny you should mention Baldwin L's. I just tuned an L (1996 or so model) this week that has me wondering what is going on. The sound of practically every string has a undercurrent of distortion. It is a very unclean and fuzzy tone. The decay is fast (board more than hammers I think). Hammers are a little worn but not that much. The next time I see this piano I want to try to do some voicing on a few hammers to see what effect it has but I think there is something deeper than that. What could destroy the tone like this? A structural joint that has failed? Soundboard to rim? It is not a pleasant sound at all. Unfortunately, the customer has not commented about it. Bob Hull
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