I don't know that there is an easy, elegant way other than listen. Before destringing the piano is a good time to listen and assess with samples. You can then make decisions to try and stiffen the board with, say, an epoxy treatment, leave well enough alone or put in a new soundboard. Depending on the piano and how much of a disaster the original scaling is, I don't like to alter scale tensions too far from the original with the exception of smoothing out bumps and transitions. If you are putting in a compression style board I think it is good to test. If it's a RC&S board in which the loads are precalculated, you will have a better chance at predicting the outcome. Experience is the best guide, and try and approach each restringing/hammer selection job without preconceived notions. David Love davidlovepianos at comcast.net www.davidlovepianos.com -----Original Message----- From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of Jason Kanter Sent: Friday, October 06, 2006 9:38 AM To: Pianotech List Subject: Board stiffness, was Hammer Types As I'm hip deep in scaling spreadsheets, my curiosity is aroused... What's an easy [elegant] way to assess how stiff a soundboard is? Perhaps when one evaluates a restringing, one wants to match the scale tension to the board. Thanks Jason ----- Original Message ----- From: "David Love" <davidlovepianos at comcast.net> To: "'Pianotech List'" <pianotech at ptg.org> Sent: Friday, October 06, 2006 7:00 AM Subject: RE: Hammer Types <snip> > I think you can draw the conclusion that generally speaking the lower the > tension and lighter (or less stiff) the board the softer the hammer that > is > required. One problem is that not all scales match the boards they are > on. > You see low tension scales on a relatively stiff boards, high tension > scales > on loose boards and all kinds of combinations both by design and because > of > changes in the s/b assembly over time. ... > David Love > davidlovepianos at comcast.net > www.davidlovepianos.com
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