Antique Pianos

[Elwood Doss]

I'd be interested in knowing how old a piano needs to be to be
considered an antique.
Joy!
Elwood

Elwood Doss, Jr., M.M.E., RPT
Piano Technician/Technical Director
Department of Music
145 Fine Arts Building
The University of Tennessee at Martin
Martin, TN  38238
731/881-1852
FAX: 731/881-7415
HOME: 731/587-5700

-----Original Message-----
From: a.acker at comcast.net [mailto:a.acker at comcast.net] 
Sent: Wednesday, October 11, 2006 10:15 PM
To: pianotech at ptg.org
Subject: Antique Pianos

Stephane,  thanks for soliciting my opinions about how to deal with
antique pianos and their owners and uses.   

I have been too busy to write on this topic, as it is a huge one, and I
correctly presumed there would be heated feelings.  I definitely don't
have the energy to deal with that right now.

This is a topic obviously near and dear to my heart as I make my living
primarily with harpsichords and 18th and 19th century pianos.   As part
of this,  I consult and advise owners as to the choices and implications
for their individual situation and individual instrument.

It is impossible to make sweeping generalizations in a complex area such
as this.  Each situation, each piano is different, and education and
knowledge are the keys.

For example of a need for more knowledge, somebody was remarking about
soundboards turning to dust.   Well, no they really don't.  I have heard
300 year old soundboard which were quite fabulous.  Now, if the
instrument has been stored in a wet barn for 200 of those years and has
suffered dramatic woodworm damage, that is another situation.  

Please note that I am not advocating restoring 300 year old rare
instruments by the prior remark.

Nor am I criticizing the writer, for they are not completely wrong.
Many early 20th century soundboards are dead and need to be replaced.
This is rarely true of early and mid 19th century boards for various
reasons.   So, this is simply a matter of more information, more
knowledge.

Anyway, there is too much to discuss here and I have no desire to get
into arguments at this time.  I give talks on this topic, and myself and
others are trying to get going panel discussions and educational
sessions at the PTG conventions on this very matter.

What is clear is, if you aren't sure, ask.   Respect the instrument,
respect the owner, respect knowledge.  Don't assume you know everything,
for hubris learns little and makes mistakes.   If you are uncomfortable
about an antique instrument, don't degrade the instrument, refer the
owner to somebody else.   

There is plenty of work out there on non-antique pianos, so why take it
on if you don't really want to?  

Very best regards to all,

Anne