Phil, I am always careful about telling stories, because someone always says it isn't true, never the less, here it goes. Amel told us that in the 50's or 60's Baldwin did a lot of survey to find what did and didn't sell. It seams they used a number of test cases, where they put a two pedal and a three pedal piano side by side. They were exactly the same accept for the three pedal piano had a dummy pedal. There finding was that people chose a three pedal piano. What could be the reason: it looked like they were getting more. Maybe, but that is the story I heard. William . PIANO BOUTIQUE William Benjamin Piano Tuner Extraordinaire www.pianoboutique.biz The tuner alone, preserves the tone. -----Original Message----- From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of pjr Sent: Friday, October 20, 2006 5:49 PM To: Pianotech List Subject: Nipples on a bull After meticulously tuning a dilapidated upright piano in the back of a dark stage at a school, I reached down with my foot and found the sustain pedal was broken off and missing. In order to avoid having this the best tuned piano in the landfill (and to get paid), I disconnected the middle pedal and gerryrigged it to act as the sustain pedal and all is well in the tuning world. Which brings me to my question - does anyone know the history of why there is a useless middle pedal on inexpensive upright pianos? Is it as the proverbial expression implies "Nipples on a bull"?(Apologies to the ladies) How did it begin? Is it just psychological? Do they do this in Europe? Phil Ryan Miami Beach
This PTG archive page provided courtesy of Moy Piano Service, LLC