Well, of course that was my point. From my observations - admittedly not double blind studies - I have not missed anything nor did I want any sound I couldn't get by traditional voicing techniques. I'll admit that the front duplex does make a difference. It's just that it's not a difference I want to keep at the expense of not being able to control the sounds it makes. dp David M. Porritt, RPT dporritt at smu.edu -----Original Message----- From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of Ron Nossaman Sent: Wednesday, November 14, 2007 11:19 AM To: Pianotech List Subject: Re: The Duplex affect --an experiment > It's natural to want the impossible so here goes. I wish we could test > whether the "duplex sound wonderfulness" could be duplicated without > front duplex by normal hammer voicing. In other words, if there is no > front duplex do we lose something that can't be replaced by control of > the hammer. > > dp You have one there with the tuned duplexes eliminated, what do you think? Do you miss the duplex sound wonderfulness? The SD-10-B I did for Bob Hull has an effective front duplex segment length of about 10mm. Neither of these duplexes make noise that I can detect, and to my ear, both pianos sound better than new stock. So what's a tuned front duplex that's intended to make noise for, exactly? Ron N
This PTG archive page provided courtesy of Moy Piano Service, LLC