>> ...I never found the need for high helix with the two bit method, >> though I have used them back in the single pass days. I don't like the >> way they burrow in. > > I know what you mean, but that's not a problem with a very rigid set-up > outside the piano, and the great advantage is that far less heat is > produced. > > JD Nor is heat production with the low helix a problem with two pass drilling in the piano, with a considerably less than rigid setup. I should qualify this. My 1/4" first pass is with a short flute bit about 10" long, which is plenty flexible. The second pass is with a 6.8mm jobbers length bit brazed into a 1/2" extension, so it's vastly more rigid than the first. The first pass produces plenty of heat, and likely a totally unacceptable uniformity in hole sizing. Since the 6.8mm second pass is only removing somewhere like 0.009" from the hole sides of the first pass, it reams and erases the inconsistencies of the first pass without generating problematic heat. As to uniform accuracy of the hole produced with minimal requirements of hardware and angst employed in the process, I haven't seen anything that comes close to it for me. But as I said, the goal is the hole, regardless of the method employed. Ron N
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