Concert Tuning for Jim Brickman

[Farrell]

Thanks, that's what I was thinking. No guarantee all the scale sections are 
going to move at equal rates, but like you say, probably closer than working 
from a referenced non-moving pitch.

Terry Farrell

----- Original Message -----
>> I use and ETD for tuning from a calculated curve. I have two questions. 
>> First, would an aural tuning process be better suited for this 
>> situation - my thinking is that every string the aural tuner sets has its 
>> pitch based on previous strings (read: previous octaves) - and maybe as 
>> the sections/octaves wander up and down with the AC, the aural tuner 
>> would be keeping better pace/pitch with the moving piano pitch?
>
> I'd think aural would be the better choice. As the reference moves, what 
> you're tuning is moving too, and presumably in the same direction, so the 
> two should end up closer. A miserable situation, in any case.
> Ron N