I really don't know for sure, but my guess is that the compression set damage would occur locally - most likely in linear bands of lower wood strength (resistance to crushing). So you'd end up with 90% of the panel more-or-less undamaged and 10% of it severely damaged and prone to cracking very easy, etc. It might be a bit more stable with fluctuating RH I suppose, but I suspect you'd be a lot better off by simply starting with a laminated panel to begin with. Terry Farrell ----- Original Message ----- From: "Richard Brekne" <ricb at pianostemmer.no> To: <pianotech at ptg.org> Sent: Monday, August 18, 2008 11:43 AM Subject: Soundboard question > How would you "pre-compress" a panel at all and how would you > control or even know what a 25% compression is? > > David Love > > > You could pre-compress by simply restricting expansion in all directions > whilst letting the panel / flitchs take on humidity. By 25 % compression > set I mean subjecting the thing to enough stress so as to force it into > compression set so the panel looses 25 % of its original change in > dimension. If it lost 1 mm due to drying it would regain only 0.75 mm > after the process at the original MC. > > Its not so much how to go about it I am asking about... as much as > thoughts on the presumed benefits of doing so. > > Cheers > RicB >
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