Hello list, Thanks for the feedback on my previous musing about treble tuning re: not "tuning the life out of the unisons" and how a wee little bit of variation might add depth and sustain. I warned you that I had a FEW thoughts about the matter that I wanted to bounce around. Next topic: (and I'm really ASKING here, out of curiosity) Do you feel the amount of stretch used in the high treble be compromised on individual notes based on appearance/disappearance of false beats and/or quality or tone? I ask because sometimes it seems there's a "sweet spot" where the tone just sings, even though it may be a little sharp or a little flat of the "correct" place for that note. Or sometimes a false beating note will clean up when moved slightly from the "correct" spot. Well, I've been putting those notes where I think the sing the clearest, so long as they're not terribly out of place. Anybody else do this? Have thoughts on this? Looking for enlightenment, John Dorr Helena, MT
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