Hi Jon Nice work. I have been doing something similar and a bit simpler) but along the same lines. (I'm simple). I've been making and selling tool called the Action Ratio gauge. Picture shown below. A 6 mm foot is mounted to the bottom of the weighted wooden block. The chart on the back is used to instantly crunch the numbers you get when using it. How it works Simply set the Action ratio gauge on the keys, which should be close to level. Then using a metric depth gauge I measure the hammer rise above the neighboring hammer. Take the distance & divide by 6 & voila.... a very close action ratio. IE if the hammer rises 34 mm higher than it's neighbor, divide that by 6 (the thickness of the foot)this equals a 5.67 ratio on the chart. Not bad. I can work with this. High numbers, say 6 & above, will always require a long 48 mm hammer travel & a shallow dip. I.E. Baldwin's.In this case I know I've got work to do Something in the 5.5 ratio range will usually be a 46 mm hammer travel & .390 dip. (Steinways/others) Measuring the sharps is done in the same way & the ratio will always be slightly different due to the key balance point & shorter leverage. The beauty of this gauge is that a tech can easily & quickly assess action problems in front of clients eyes in minutes & can inform them why the action is heavy/ light etc & the appropriate remedy. I use the ratio information to determine which action parts I will choose when rebuilding. The Action ratio can be can be modified to improve function in essentially 3 ways. Change the knuckle placement, move the capstan or ( These are the most common fixes) the key balance point can be relocated if replacing the keyset. Any numbers close to a 7 to will require new keys to truly make the action work. AMHIK. High numbers equal short dip Long hammer travel. Low numbers the opposite. High numbers (5.8 to 7 or more) require light hammers & lots of key lead to balance the action. Ok now the real beauty is this. Low numbers (5 to 5.6sih) can tolerate more hammer weight & some lead can be unloaded from the key thereby reducing inertia. All pianist love this On another note the first thing I usually do is look at the leading. If there are lots of lead. I already know the regulation & leading will be in a place I wont' like I'm not a number cruncher so I needed this to be easier for me. Regards Dale Erwin John writes Hello List, I'm writing an article about regulating pianos when you don't have specifications. I'll paste in the simple nuts and bolts of it below. I'd appreciate your feedback. I know there are some setup caveats and pitfalls, and some other considerations, but rather than lay all of them out, I thought I'd wait and hear from you guys about what you see as strong points, weak points, yeah buts, and any other considerations. Dale Erwin--Piano Restorations 4721 Parker rd Modesto, Ca. 95357 Shop 209-577-8397 Web site _http://www.Erwinspiano.com_ (http://www.erwinspiano.com/) Restoration & Sales of Steinway & Sons & other fine pianos. " Soundboards by Design" **************Biggest Grammy Award surprises of all time on AOL Music. (http://music.aol.com/grammys/pictures/never-won-a-grammy?NCID=aolcmp003000000025 48) -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/20080204/b857a4bf/attachment-0001.html -------------- next part -------------- A non-text attachment was scrubbed... Name: not available Type: image/jpeg Size: 41803 bytes Desc: not available Url : https://www.moypiano.com/ptg/pianotech.php/attachments/20080204/b857a4bf/attachment-0002.jpe -------------- next part -------------- A non-text attachment was scrubbed... Name: not available Type: image/jpeg Size: 41803 bytes Desc: not available Url : https://www.moypiano.com/ptg/pianotech.php/attachments/20080204/b857a4bf/attachment-0003.jpe
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