Well yours is certainly one perspective among many out there. And tho numbers of CR enthusiasts out there greatly outnumber you... you are certainly not alone. And to be truthful... I for one am glad there are as large a variety in perspectives on the matter as you imply are inherent ly present in CR boards. The variety of sound pallets in Steinway's is an intentional result. That they purposefully do not take into account the variabilities with intent to normalize them in no way means such normalization is not a doable. I'd surmise that since much of the industry plays follow the leader in so many other ways... they rather buy into Steinway's reasoning a long way down this road as well. In fact... the whole purpose of RC&S design is essentially a kind of normalization process in the sense that it seeks to simply by-pass the problem. How much of the problem is actually by-passed is another matter. Still... none of this has any bearing on whether or not one can indeed predict CR system strengths or not. Just as one can test ribs... there are ways of testing flitches before assembly into a panel. Or for that matter wood stock before cutting into flitches. Quick and dirty... but usable ..?? float it. The degree of the wood above the water line represents exactly the specific gravity of the piece of wood. Cheers RicB The piano world is replete with living (and dead) examples of the unpredictability of the compression crowning method. Anyone who has paid attention has heard the evidence. NY Steinway pianos are a great source for this study especially if you take the "different personalities" euphemism as a statement to the effect that each piece of wood will respond differently to their own particular method. This is not to be read as a criticism of their choice, necessarily. It is their choice and there are examples where it's produced a very musical outcome. While variations in rib strength do occur they can be easily tested prior to gluing them up as some rebuilders do. The purpose of the laminated rib is also to create a more uniform MOE from rib to rib by mixing lots. I don't want to discourage anyone, though. I will be on the sidelines cheering anyone who wants to embark on a scientific study to prove the true limited variability of the compression of spruce in the compression crowning method. You will need a skilled grant writer though as the costs will be high, too high for me and, unfortunately, I'm not in a position to donate any money to the cause--at least not until the kids are out of college. David Love davidlovepianos at comcast.net www.davidlovepianos.com ... As far as the claim that the degree of unpredictability being proportional to the degree with which the assembly is reliant on compression.... where is the study that supports this ? Proportional has very a specific meaning when used thus. Strikes me right off that given the fact that the rib is just as likely to show wide variability in its strength properties... particularly bending strengths... such a claim is taken out of thin air. JMMV
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